Mero Mero no Mi

The Mero Mero no Mi is a Paramecia-type Devil Fruit that allows a range of attacks which use emotions of love, lust or adoration to transform opponents into stone. It was eaten by the former Warlord Boa Hancock, who was force-fed it by a World Noble.

This fruit's abilities were duplicated in the Seraph S-Snake, via a transfusion of Green Blood.

Etymology

 * Meromero (メロメロ/めろめろ) is a Japanese onomatopoeia for the loss of self-control from drunkenness or emotions such as love or lust.
 * In the VIZ manga and Funimation adaptations, it is called the Love-Love Fruit.

Appearance
The Mero Mero no Mi is a pair of rounded heart-shaped fruits with connected stems, resembling a pair of cherries. The fruits are red and purple with pink heart patterns, which have swirls in them. The top of the stem also forms a heart with swirls.

Strengths


The major strength of the fruit, as demonstrated by Boa Hancock, is that the user is able to transform those who lust or love after the user into stone in varying degrees by using their "dirty thoughts". Alternatively, a person can still fall victim to its effects if they instead find the user cute. Victims that have been completely turned to stone are incapable of consciousness and susceptible to physical damage unless the user de-petrifies them. Petrification can also be achieved through physically striking an opponent, although the only area that is turned to stone is the contacted area, as opposed to the entire body. The power also extends to nonliving objects, including Pacifistas.

My beauty is what makes this power formidable!! If you kill me, your little friends will remain statues forever!! Whoever inherited my power won't be able to release them!! The powers of the fruit can cause any victim(s), regardless of gender, with feelings of lust or who are captivated by the user's cuteness to succumb to petrification. Since Hancock is held to be a woman of near-unparalleled beauty, enticing men with her powers takes very little effort, while for female targets she tends to exhibit more actively flirtatious and "cutesy" behavior to elicit the necessary feelings in them. Apparently, once the petrification takes effect, victims will experience a state of suspended animation where, from their point of view, it is as though time has stopped, up until Hancock may choose to undo the petrification. According to Hancock, killing the current user of the Mero Mero no Mi's power does not undo any petrifications they have induced beforehand, and a new eater of the Mero Mero no Mi will be unable to reverse a previous ability user's petrifications (as they were induced by the previous user's innate qualities), leaving the effect completely irreversible. This means the user can exploit petrified targets as hostages and potentially deter foes intent on killing them.

Weaknesses


While the fruit's powers, specifically the aforementioned technique, use the focused lust or the enthrallment by their cuteness of a user's victim to fuel the petrification, if the intended targets have no sense of lust or cannot see her (such as being blind) or simply does not find the user beautiful or cute in their own perspective, then the powers are nullified. The effects can also be negated if the user distracts themselves with other emotions, such as fear, bitterness or pain. For example, Vice Admiral Momonga was able to resist her powers by stabbing his hand, and Monkey D. Luffy initially believed that the attack aimed at him was an attack from the Noro Noro no Mi of Foxy, but it is later revealed that Luffy is immune to her powers due to him having a pure heart, thereby having no wicked or ill intentions on his part.

Other than that, the user is affected by the standard Devil Fruit weaknesses.

Boa Hancock
Hancock uses this Devil Fruit power to petrify her victims. However, the contradictory story that her fellow Kuja are given is that she and her sisters killed a Gorgon and were "cursed". The Gorgon gave each sister a set of eyes on their backs. Whenever anyone sees the back of her and her sisters, they turn to stone. This story is actually a lie, concocted to hide her shameful past as a slave at the hands of the Celestial Dragons. Hancock's Devil Fruit was originally fed to her for entertainment purposes only.



Even without the use of any kind of special technique, Hancock can use her great physical prowess to attack in hand-to-hand combat; her Devil Fruit gives her the ability to turn anything she strikes to stone, and also does not need the victim to lust after her. This allows her to take down opponents that possess little to no thought (like the Pacifista).

Techniques



 * Mero Mero Mellow (メロメロ): Hancock's signature technique, she forms a heart with her hands and fires a heart-shaped beam from them. Anyone with "impure thoughts" (lust) towards Hancock hit by this beam will be turned into a stone statue. Any affected persons' body can be destroyed, due to the fact that it is stone. This is called Love-Love Mellow in the VIZ manga, and Love-Love Beam in the Funimation adaptations.


 * Mezameyo (目覚めよ): Hancock blows a kiss at a target that was previously turned to stone, which causes small hearts that wash over them and restore them to their normal state. The pun here is that all accounts from former real-life slaves refer to freedom as an "awakening"; so too are the "slaves" of the Mero Mero Mellow essentially "awakened" from the "slavery" of petrification stasis. The added imperative at the end of this phrase is not unlike an order being given; another reference to Hancock's dark past. This is called Awaken in the VIZ manga and the Funimation dub.


 * Pistol Kiss (キス): Hancock is able to use a projectile-like move by blowing a kiss, creating a heart-shaped bullet to fire at her victim by aiming it with her index finger, which she uses together with her Busoshoku Haki to hurt the foe. It is unknown if this attack carries the same petrifying properties as the rest of Hancock's attacks, as it has only been used once against Luffy, who has no lust towards Hancock.


 * Slave Arrow: Hancock breathes in deeply and kisses out a heart; similar to her Pistol Kiss, but much bigger. She then pulls the heart back with a hand and, with a pop like that of a bubble, hundreds of arrows (all of them tipped and fletched with a stylized heart design) are fired and barrage her opponent(s) before petrifying them; the sheer number of arrows unleashed makes this move particularly difficult to evade. This technique not only petrifies anyone and anything that it hits, but somehow manages to freeze them in place, regardless of whether or not they were in motion or not, to the extent that she even stopped cannonballs in their tracks. In this technique, although the kanji used here (虜) may mean "imprisonment", it can also mean "captive", as in someone being captivated by love.




 * Perfume Femur: Hancock does a handstand and spins around in order to deliver a series of kicks. Anything she strikes, whether animate or inanimate, instantly turns into stone and, in turn, breaks from the sheer force of her kicks. Unlike her other attacks, only the immediate area around the point of contact turns to stone, not the entire object. The pun here is that when Hōkō, the actual pronunciation of the first two kanji symbols, is written another way (奉公), it can mean "apprenticeship" in the sense of "indentured servitude".

Non-Canon Techniques

 * Perfume Femur Magna: A single strike and stronger version of Perfume Femur. Hancock runs towards her target and delivers a powerful flying kick. Presumably possesses the same petrifying properties of Perfume Femur, but its effects were never shown due to the size of the target. It was first seen used against Douglas Bullet in his island-sized golem form, being one of the few attacks able to making him recoil, however, dealing not critical damage.
 * Queen's Stomp (女王の踏みつけ): Hancock performs a stomping axe kick that deals great damage to petrified enemies. She will continue to stomp the enemy into the ground after they are caught during the axe kick, then kick them away. Appears as one of her combo attacks in One Piece: Pirate Warriors series, it was eventually named in One Piece: Pirate Warriors 4 where it appears as one of her Special Moves.
 * Prisoner Crossbow (虜の弩): Salome turns into a bow allowing Hancock to fire a Heart Arrow which petrify any enemies it hits. Appears as one of her combo attacks in One Piece: Pirate Warriors series, it was eventually named in One Piece: Pirate Warriors 4 where it appears as one of her Special Moves. It is called Slave Ballista in the English localization.

S-Snake
S-Snake uses the powers bestowed by the Green Blood to petrify her opponents, similar to her genetic progenitor, Hancock. However, she relies more on her cuteness rather than her beauty to petrify her opponents.

Techniques

 * Mero Mero Mellow (メロメロ): The same as Hancock's signature technique, S-Snake forms a heart with her hands and fires a heart-shaped beam from them. Anyone captivated by S-Snake's cuteness that is hit by this beam will be turned into a stone statue.
 * Perfume Femur: The same as Hancock's technique, S-Snake kicks an opponent, which transforms the point of impact to stone. This was first used against Franky, turning the right side of his body to stone.

History
During their time as slaves of the World Nobles, the Gorgon Sisters were force-fed Devil Fruits, as a form of sick entertainment. Hancock, in particular, was fed the Mero Mero no Mi. In order to hide their shame, the sisters told the rest of the Kuja Tribe that these powers were actually a curse from their alleged heroic actions of slaying a monster called Gorgon.

Dr. Vegapunk managed to duplicate this power by synthesizing Green Blood with Hancock's Lineage Factor, and apply it onto the cyborg S-Snake, who is a modified clone of Hancock herself.

Marshall D. Teach became very interested in attaining this ability, having waited patiently for a long time before his assault on Amazon Lily. He was forced to call off the attempt when Silvers Rayleigh interfered.

Trivia

 * The ability of the Mero Mero no Mi to turn people to stone is similar to that of the mythical creature, the Gorgon Medusa, who was able to turn her victims to stone simply by looking directly into her eyes.
 * Aside from "Pistol Kiss", all of Hancock's techniques have a pun referring to captivity of some kind and have many idioms about love capturing someone. This is ironic considering Boa Hancock's own past and her dislike of slavery and captivity.
 * As a gag, Sanji was turned to stone when he first saw Hancock even though she had not used her power on him. This is because Sanji already had impure thoughts when he saw her. He returned to normal moments after. This repeated when he saw Shirahoshi.
 * In SBS Volume 35, Oda mentioned thinking about including the Ero Ero no Mi into the series, then also called the Love-Love Fruit in the English version of the SBS. This concept apparently made it into the series as the Mero Mero no Mi.
 * In One Piece: Pirate Warriors 3 and One Piece Pirate Warriors 4, several of the characters are immune to Hancock's Mero Mero no Mi powers, both when encountered as an enemy or when Hancock is being controlled by the player. However, only one of them is canonically confirmed.
 * Tony Tony Chopper is immune to being petrified by Boa Hancock's Mero Mero no Mi powers, which is a reference to his lack of interest or attraction to human females. His immunity is also somewhat ironic given Hancock's dislike for small animals, regardless of how cute they are. Chopper himself will even remark on the Mero Mero no Mi having no effect on him if he defeats Hancock in battle.
 * Luffy is also immune to the Mero Mero no Mi's petrification powers, which is confirmed in the source material.
 * Admiral Fujitora is also immune to Hancock's petrification abilities, which is a reference to him being blind and not knowing what Hancock looks like. This is shared by another non-canon source, in which Sebastian was also immune due to being blind.
 * Vice Admiral Garp is also immune to Hancock's petrification effects, which can be a reference to him being family of Luffy.
 * Its appearance being based on a cherry might be a reference to tying a cherry stem into a knot using one's tongue, an act believed to have amorous implications.

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